Skip to main content

हतियार व्यापार सन्धिको आबस्यकता र अन्तरास्ट्रिय प्रयास


सैन्य र सुरक्षा उपकरण र त्यससंँग सम्बन्धित अन्य सामाग्रीहरmको विद्यमान गैरजिम्मेवारपूर्ण प्रसारले निरन्तरता पाउने हो भने थप लाखौँ जीवन र जीविकाहरm नष्ट हुनेछन् र अझ धेरै मानिसहरmको आधारभूत मानव अधिकारको गम्भीर उल्लङ्घन हुनेछ । विश्व एउटा यस्तो मोडमा पुग्न गइरहेको छ, जहाँ सरकारहरmले परम्परागत हातहतियारको बढ्दो विश्वव्यापी व्यापारलाई नियन्त्रण गर्न कुन अवधारणा अवलम्बन गर्ने भनेर निर्णय गर्नु पर्नेछ ।

;g\ @))^sf] l8;]Da/ ^ df ;+o'Qm /fi6«;+3sf cToflws ax'dt ;b:o /fi6«x/mn] dxf;efdf Pp6f sfg'gL /mkdf afWosf/L / ;j{JofkL xftxltof/ Jofkf/ ;GwL -P6L6L_ sf] l;4fGtdf ;Demf}tfsf nflu ax; rnfpg] s'/fdf cledt lbP . /fi6«;+3sf] dxf;efåf/f kfl/t o; ;DaGwL k|:tfjdf !%# j6f /fi6«x/msf] ;dy{g / s]jn Pp6f /fi6« cd]l/sfsf] lj/f]w /x]sf] lyof] . xftxltof/sf] clgolGqt Jofkf/n] dfgj clwsf/sf] ulDe/ xgg\ / cGt/f{li6«o dfgjL sfg"gsf pNnª\3gx/mdf of]ubfg k'/\ofpFb} cfPsf] 5 . cGt/fli6«o xftxltof/ Jofkf/sf] cem k|efjsf/L lgodg tkm{ Pl6l6 Pp6f pNn]vgLo sbd x'g]5 . oBkL s]xL /fHox/m To;sf] ultnfO{ /f]Sg / To; k|sf/sf] ;GwLsf] kx'Fr / ;LdfnfO{ wldnf] agfpg] k|of; klg ul//x]sf 5g\ .


cGt/fli6«o sfg'gdf cfwfl/t / ljZjJofkL l;4fGt af]s]sf] P6L6Lsf] k|f/mk ;g\ !(()sf] bzsdf PDg]i6L OG6/g]zgn / cf]:sf/ Pl/of;;lxt s]xL u}/;/sf/L ;+:yf / gf]a]n k'/:sf/ lah]tfx/maf6 ePsf] lyof] . gful/s ;dfhsf] a9\bf] ;lqmotf / s]xL ;xof]uL ;/sf/x/msf] dfWodaf6 o; cjwf/0ffn] pNn]vlgo cfwf/ kfPsf] 5 / xfn o; dxTjk"0f{ k|of;nfO{ cuf8L a9fpg] ;fd"lxs k|of;sf nflu /fi6«;+3sf ;b:o /fi6«x/msf] pNn]vgLo ;dy{g /x]sf] 5 . tyfkL ljz]ifu/L rLg, /m;, OlhK6, O/fg, kfls:tfg / ;+o'Qm/fHo cd]l/sf;lxtsf s]xL ;Lldt /fi6«x/mn] o;df s8f ;Gb]x jf lj/f]w hgfpFb} cfPsf 5g\ .

Pl6l6n] /fHox/msf tkm{af6 lgDg sfo{ ug]{ ljBdfg cGt/fli6«o sfg'gL k|lta4tfx/mnfO{ k|ltlalDat ub}{ d'Vo lhDd]jf/Lx/msf] klxrfg ug'{kb{5 .
!_ cGt/fli6«o zflGt ;'/Iffdflysf] vt/fnfO{ lgjf/0f ug]{
@_ cGt/fli6«o dfgjLo sfg'gsf] ;Ddfg ;'lglZrt ug]{, /
#_ dfgj clwsf/sf] ;Ddfg, ;+/If0f / kl/k"lt{sf nflu ;xof]u ug]{ .

o;}u/L /fHox/maf6 x'g] k/Dk/fut xftxltof/sf] k|of]u ;+o'Qm/fi6«;+3sf] a8fkq, cGt/fli6«o dfgjLo sfg'g / dfgj clwsf/ sfg'gn] :yflkt u/]sf] nufotsf cGt/fli6«o dfkb08 cg'/mk x'g'kb{5 eGg] s'/fnfO{ ;'lglZrt ug'{kb{5 . / oL lhDd]jf/Lx/m k/Dk/fut xltof/sf] k|;f/df klg nfu" x'g'kb{5 h;nfO{ Pl6l6n] k"0f{/mkdf k|ltlalDat ug'{kb{5 .

xftxltof/sf] u}/lhDd]jf/k"0f{ / sdhf]/ lgodgdf rln/x]sf Jofkf/n] dfgj clwsf/sf] ulDe/ xgg\ / cGt/fli6«o dfgjLo sfg"gsf] ulDe/ pNnª\3gdf of]ubfg k'/\ofpg] sfd u/]sf] 5, h;sf sf/0f b]z tyf If]qx/m cl:y/ aGg'sf ;fy} lbuf] ljsf;sf] cjd"Noog x'g k'u]sf] 5 . o;n] hLjgx/m arfpg / hLljsf]kfh{gnfO{ ;+/If0f ug{ kof{Kt dfqfdf k|efjsf/L /x]sf] Pp6f ljZjJofkL xftxltof/ Jofkf/ dxf;lGw -Pl6l6_ sf] tTsfn vfFrf]nfO{ bzf{pF5 .

Pl6l6sf] cefj k/Dk/fut xftxltof/s]f b'/mkof]u / ;j{q ;xh kx'Frsf] Psdfq sf/0f geP klg Pp6f s8f / lj:t[t Pl6l6sf] pkl:yltn] xftxltof/ u}/lhDd]jf/ clGtd k|of]ustf{sf] xftdf k'Ug] ;DefjgfnfO{ lgs} sd ug]{5 / dflg;x/m hLjgdfly kg]{ To:tf ljWj+;fTds k|efjnfO{ /f]Sg d2t ug]{5 . xfn ax;df /x]sf] o;sf] If]q / kl/;Ldfx/msf ;Gbe{df lgDg cj:yfdf xftxltof/sf] k|;f/nfO{ :jLs[tL lbg'x'Fb}g eGg] cfjfh pl7/x]sf] 5M

!_ /fi6«;+3sf] a8fkq / k|rlnt ;GwLx/m cGtu{tsf] cfkm\gf bfloTjx/msf] pNnª\3g ub}{ ;z:q åGb e8\sfpg] jf cem Jofks agfpg, jf
@_ ljBdfg lx+;fTds ck/fwsf] Jofks / lg/Gt/ k|j[lQdf of]ubfg k'/\ofpg, h;nfO{ /f]Sg] /fHon] lhDd]jf/Lk"j{s sfd u/]sf] 5}g, jf
#_ ;x;|fAbL ljsf;sf nIox/mn] dfkg u/] cg';f/sf] lbuf] ljsf;sf] cjd"Noog ug]{ / cfly{s tyf ;fdflhs clwsf/;DalGw cGt/fli6«o sfg'gsf] pNnª\3gx/m, jf
$_ pNn]vgLo /mkdf e|i6 cEof;x/msf] ;+nUgtf, jf
%_ cgflws[t k|of]ustf{x/m tkm{ dfu{ kl/jt{g x'g ;Sg], / h;n] tL xftxltof/x/m dfgj clwsf/ / dfgjLo sfg'gsf] pNnª\3gdf k|of]u x'g;Sg] ;Defjgf 5 .

Pl6l6nfO{ k/Dk/fut xftxltof/sf] cGt/fli{6«o k|;f/df cGt/;/sf/L / ;fj{hlgs kf/blz{tf / hjfkmb]lxtf a9fpg] ;+oGqsf] /mkdf lgdf{0f ul/g'kb{5 . ;+o'Qm/fi6«;+3 dxf;efn] cfu|x u/] adf]lhd u}/e]befjk"0f{, kf/bzL{ / ax'kIfLo cfwf/df to ul/Psf] ;j{JofkL Pl6l6 lgdf{0fsf nflu /fi6«;+3Lo k|lqmofn] of] cj;/nfO{ k|of]u ug'{ cfjZos 5 h;sf] kmn:j/mk cGt/fli6«o hutn] ;g\ @)!) leq sfg'gL/mkdf afWosf/L / ljZjJofkL Pl6l6 k|fKt ug{ ;sf];\ .

Comments

Post a Comment

Popular posts from this blog

Open Call for Poetry on "Madness"

  World Poetry Movement - Nepal , in collaboration with RedPanda Books , a publication partner in Kathmandu, is soliciting poems from poets around the world on the theme of madness for a global poetry anthology. It is our pleasure that Society of Nepali Writers in English, Foundation of SAARC Writers and Literature, Asian Center for Humanities, 100 Thousand Poets for Change, and Movimiento Poetas del Mundo have also joined us as our poetry partners.   Why poetry on madness? The earth is our common home. Mountains, rivers, land, and the political and economic system governing this world should have been used for the benefit of all living beings including humankind. But, the reality is scarily different! World political leaders have turned into power mongers. Economic and social systems have been largely manipulated by the capitalists in their cravings for profits. Unstoppable desires for physical development have led to the destruction of natural ecology resulting in depletion of o
Post a Comment
Read more

Men, Words and Metaphors: An Interview by Isha Gharti

Interview re-posted from   Fr ! day Bal Bahadur Thapa (Balu), Keshab Sigdel and Prakash Subedi, represent the Nepali poets/writers of the new generation. Over the last decade, in addition to their powerful writing, they have been very active in the literary scene. They have contributed to the theatre and film scenario and have been active through organizations such as Society of Nepalese Writers in English (NWEN), Literary Association of Nepal (LAN) and Devkota Study and Research Center (DSRC). Apt with skills, substance and a will to contribute to national literature, they are a strong force to be reckoned with. Steadily gaining national and international recognition, they are slowly changing the scene of English writing in Nepal. What made you get into literature? Bal Bahadur: “I used to read a lot when I was young, everything from Hindi comics, like Bankelal to Prakash Kobit to Thomas Hardy, which is what inspired me to write, though I only started writing after I
2 comments
Read more

An Evening (Video Poem)

An Evening (Video Poem) (In memory of the people disappeared during Nepal's civil war) Click this link to watch it on YOUTUBE Poem by: Keshab Sigdel Directed by: Prakesh Sindhuliya Featuring: Deepika Dhakal, Bigyannath Sharma, Himlata Sharma केशव सिग्देल एक साँझ हरेक दिन घाम डुब्नु अघि धुलो उडाउँदै  गाईहरु गोठ सम्झिएर फर्कन्छन् । बथानबाट छुट्टिएको बाख्राको पाठो बुर्कुसी मार्दै घरको आँगनमा आइपुगेपछि ढुक्क जस्तो देखिन्छ । घर नजिकै अम्बाका रुखहरुमा झ्याँउकिरीको मसिनो आवाज पनि भाका जगाएर चर्किदैं जान्छ । ससाना बादलहरुमा लुकामारी गर्दै जुन टिलपिलाउन थाल्छ । दैलो नेर निलो फित्ता भएका आफ्ना चप्पलहरु  सुरक्षित राखेपछि पिढींमा पलेंटी कसेर बस्छन् चाँदनीका बुवा हुक्कामा तम्बाखु भर्छन् र, चर्को डाँको गरेर  त्यसलाई सल्काउन आगो माग्छन् । यसरी वर्षौदेखि यो रुग्ण घरले अभाव सहेरै भए पनि  खुशीको आफ्नै लय बनाएको थियो ।  अचानक आज  न धुलो उडाउँदै गाईहरु आए न बुर्कुसी मार्दै बाख्राको पाठो आइपुग्यो । पानी पर्नलाई हो की भ्यागुताहरु टर
Post a Comment
Read more